Scottish silver

Scottish marks are known as early as the middle of the fifteenth century. By 1681 the goldsmiths of Edinburgh had adopted a variable date letter and abandoned the deacon’s mark instituted in 1457 for the mark of the Assay Master. This in its turn was substituted by a thistle in 1759. The town mark is a triple-towered castle.

Although there was an active group of goldsmiths in Glasgow, mentioned in records as early as 1536, no Glasgow silver earlier than approximately 1681 appears to be marked with anything but perhaps the maker’s mark and burgh arms: a tree with a bird on the top, a hand bell suspended from the branches and across or below the trunk a salmon with a ring in its mouth (termed the fish, tree and bell mark). (more…)

Despite the fact that the English hallmarking system is ancient and well-tested, it cannot be relied upon purely for the authenticity of a piece. Its very reputation, respected and revered the world over, makes it vulnerable to dishonest use by fakers and forgers. Transposing marks from one object to another is not an uncommon practice and can be very lucrative when the piece is sold for a high price. Genuine marks may also be removed from an older, damaged object and `married’ to a far later example. This is why experts will sometimes breathe on a piece for, by doing so, the outline of the joins which are invisible to the naked eye should reveal themselves. Certainly when the object is oxidised the let-in silver usually shows fairly clearly. This practice of transposition is not a new one and has been used for many years. (more…)

In the twentieth century it is difficult to imagine eating meals without the aid of cutlery, yet it was not until the eighteenth century that it became the general custom to use forks, knives and spoons. The habit spread only gradually. Towards the later years of the seventeenth century a host might be expected to provide cutlery at table and although this tendency increased, many travellers carried with them their own personal set of a fork, knife and spoon, in a case often made of tooled leather, until as late as around the middle of the eighteenth century. (more…)

Early pierced baskets were heavy, magnificent pieces but these are rare. Eighteenth century examples were oval, rectangular or circular with a flat base and ornately-pierced sides, often featuring two small cabled silver handles which were later superseded by the swing type. Huguenot silversmiths were much acclaimed for their fine pierced and embossed baskets, and superb examples of their work, which clearly show why they were so admired, can be seen in various stately homes and museums.

However, some of their achievement must also be attributed to the English invention of the rolling-mill which had been improved by 1728, allowing the production of a fine gauge silver for more complicated piercing. (more…)

Monteiths, punch bowls and punch ladles

The monteith, which looks like a punch bowl with an ornate rim arid lifting handles, fir ^whist appeared some 20 years after the Restoration but became more general during the later years of the seventeenth century and earlier years of the eighteenth. Monteiths are comparatively rare pieces, and therefore fetch high prices. Their scalloped and notched rims were generally removable. The monteith was filld with cold water, then glasses were hung by their foot upon the notchese, and thus allowed to cool in the water. When the monteith was not being used in l filled it punch. (more…)

Tumbler cups were simple, amusing little vessels which never actually tumbled, because the silver in their rounded base was of a heavier weight than the sides, causing them to right themselves before they spilled their contents. Thus they were most convenient in carriages when refreshment was taken, since they could be relied upon to stay more or less upright, however rough the road or unpredictable the reactions of the horses in an emergency. These tiny cups appeared from about 1650 and were much in demand thereafter, particularly during the eighteenth century. They were usually devoid of decoration except for the owner’s crest or a little engraving, and measured from around two inches in height, seldom being more than four. (more…)

Counter boxes are generally tubular in shape, approximately one-and-a-half inches high and about one inch in diameter, though sometimes less. Lid might be sparingly decorated, perhaps with floral engravings, piercing, or embossed with an impression of the sovereign’s bust. The exterior of the circular body was often strengthened by ribbing. The counters, which were decorated in a similar fashion to the lid, were used instead of money in games. They might also, therefore, resemble thinner versions of contemporary coins. Their number varied but it was seldom less than 20. Sides of the boxes were also sometimes pierced. (more…)

Considering the amount of time women spent plying their needle, the group of silver items including thimbles, thimble buckets, pin cushions, bodkins and needle cases, is not extensive, particularly with earlier items. The position improves much later, during the Victorian era and into the twentieth century, so in order to avoid frustration it is well worth considering the later examples when starting or adding to a collection.

Among these are silver thimbles which can make a stunning collection when grouped together for display. Silver thimbles were used in the sixteenth and seventeenth centuries, but those which are usually available are not of this type, and even eighteenth century specimens have become far less easy to find. (more…)

A very interesting collection of knife rests can be built up, particularly if the collector seeks them in other materials in addition to sterling silver. The added advantage is that the general cost of establishing such a collection is lessened. Such a collection can then be sold at a later stage and the money re-invested in something more costly.

Basically the knife rest is a simple rod with a support at either end which keeps the rod clear of the table and enables it to support carving implements. The interest of knife rests lies mainly in the amazing diversity of ideas, many of which are novel, that brightened up this ordinary object. Animals were well-favoured as the supports and included elephants, camels, lions, monkeys, owls and so on. Others may be delicate, in the form of butterflies, or rather impressive, featuring peacocks or unicorns. Sometimes the supports are not disguised at all, perhaps merely decorated a little. Thistles, flowers or gnarled branches might grace others. Knife rests became more general in the nineteenth century. (more…)

Inkstands

Inkstands (standishes) were much favoured in both sterling silver and, from about 1760, Sheffield plate. Silver examples include the treasury inkstand: a rectangular box which contained an inkpot, pounce box and wafer box — a small adhesive disk for sealing letters — with a single- or double-hinged lid and perhaps a drawer below for quills. Another type, made in both silver and Sheffield plate, consisted of a rectangular tray, standing upon four small feet, which had three sockets. In the case of the silver version, the inkpot and pounce box would fit into the outer two sockets, while the middle one would contain a small hand bell, or taperstick for sealing. (more…)