For antique, vintage and decorative art lovers, buying and investing guide.
24 Sep
Pottery and porcelain could be decorated before or after glazing, or the glaze itself might form the decoration — as, for example, with the splashed greens, yellows and browns of English Astbury-Whieldon pottery of the 18th century. Three-dimensional, relief or incised designs were always done before applying the glaze, while coloured designs could be added to the piece before glazing ( in the case of underglaze colours) or after (overglaze colours, or enamels, and gilding). (more…)
14 Sep
During the late 18th century, both Thomas Chippendale and Robert Adam produced gilded sofas that were strongly influenced by the contemporary French Neoclassical-style canapé’. These masterpieces have a padded oval back, padded arms and seat in contemporary Aubusson tapestry, and can be worth tens of thousands of pounds. Good 19thC and 2oth-century copies themselves fetch £1500£2200, while lesser examples may change hands for £300-£500. The canapé proved an enduring design in Britain, and was produced throughout the 19th century. (more…)
12 Sep
Midway between the dining chair with arms and the comfortable easy chair are practical but elegant padded armchairs, best known as library chairs.
The distinction between the armchair and the upright, armless dining chair stems from the Middle Ages, when authority was symbolised by the lord’s more elaborate, armed seat of office. But although most early armchairs are an extension of dining-room furniture, specialist armchairs hat introduced in the early 18th century are distinctly different in form and use. (more…)
20 Aug
The style was essentially nostalgic, much of its detail and ornament inspired by the Medieval -for example, the large metal hinges fitted on the outside of cabinet doors. The products looked handmade: wood was often left unpolished; beaten metal showed hammer marks; dowels were often left conspicuously visible. Glass was simply blown - cutting was disparaged as an industrial technique - so that the natural beauty of the material itself could be seen, unobscured by ornament. (more…)
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