Sauceboats were among the pieces of domestic silver which emerged during the second decade of the eighteenth century, possibly because George I introduced certain types of sauces to England at that time. Early examples had a pouring lip on either side of the vessel, in between which were two scroll handles. Rococo sauceboats were beautifully ornate and by the 1740s the earlier moulded base was surpassed in fashion by three or four cast feet in ornamental shapes, while the outline of the vessel evolved into an oval or bombe form which was concurrently in use for tureens. The delightfully elaborate scroll handle, positioned opposite the pouring lip, was one of the major attractions of the sauceboat of this period. (more…)

At the beginning of Queen Anne’s reign the taking of snuff became popular in England, thought to be as a result of the vast amounts which infiltrated the London market following the capture of Spanish ships carrying snuff in the action of Vigo Bay. It had been introduced to Europe many years before, the Spaniards having first tried it following the discovery by Cortes of Mexicans taking snuff in 1520. The taking of snuff persisted despite two popes issuing bulls against the strange new habit, and, in fact, became exceedingly fashionable during the eighteenth century. It still has a following today. (more…)

Chambersticks

Modest and practical, the silver chamberstick was in use during the seventeenth century, but examples are not generally found before the last quarter of the century. In the line of the old nursery rhyme, ‘Here comes a candle to light you to bed’, the words refer to a chamberstick which consisted of a saucer-shaped base for safety, with a short candle-socket in its centre, and a simple handle by which to carry it around the house. Larger homes might later have an assortment of such chambersticks set upon a table in the hall, a person taking one when it was needed and lighting it from a special master taper. Usually made of a lighter metal, the diameter of the saucer-shaped dish varied but generally measured about six inches, the short socket standing about three inches high. Most late seventeenth and eighteenth century examples would have a shapely scroll handle soldered beneath the base and curving upwards. (more…)

Silver frames for mirrors or photographs

The decorative silver frame, used mostly nowadays for photographs, appeared for mirrors after the Restoration, late seventeenth century oblong examples being heavily ornamented with naturalistic decoration between gadrooning or complex beading, and surmounted by a coat-of-arms in a complex setting. Such fine examples might be among gifts to the royal family or court. Other types of decorative frames were also popular in the eighteenth century, perhaps being made of wood or gesso which was gilded and carved. Nineteenth century silver examples became more numerous not only for mirrors but, in later years and into the Edwardian era, for photographs. (more…)

Late nineteenth century electro-plated waiters cost around a quarter of the price of their sterling silver counterparts and were practically indistinguishable from them at first glance. This also applied to large tea trays with moulded handles which were handsomely decorated with rococo-style rim patterns and surface ornament. It is hardly surprising, then, that electro-plated trays appeared so numerously in homes everywhere. They were a direct descendant of the tazza, a fashionable seventeenth century piece with an approximate diameter of 12 inches, which declined in popularity after about 1715-20. (more…)

A very interesting collection of knife rests can be built up, particularly if the collector seeks them in other materials in addition to sterling silver. The added advantage is that the general cost of establishing such a collection is lessened. Such a collection can then be sold at a later stage and the money re-invested in something more costly.

Basically the knife rest is a simple rod with a support at either end which keeps the rod clear of the table and enables it to support carving implements. The interest of knife rests lies mainly in the amazing diversity of ideas, many of which are novel, that brightened up this ordinary object. Animals were well-favoured as the supports and included elephants, camels, lions, monkeys, owls and so on. Others may be delicate, in the form of butterflies, or rather impressive, featuring peacocks or unicorns. Sometimes the supports are not disguised at all, perhaps merely decorated a little. Thistles, flowers or gnarled branches might grace others. Knife rests became more general in the nineteenth century. (more…)

Inkstands

Inkstands (standishes) were much favoured in both sterling silver and, from about 1760, Sheffield plate. Silver examples include the treasury inkstand: a rectangular box which contained an inkpot, pounce box and wafer box — a small adhesive disk for sealing letters — with a single- or double-hinged lid and perhaps a drawer below for quills. Another type, made in both silver and Sheffield plate, consisted of a rectangular tray, standing upon four small feet, which had three sockets. In the case of the silver version, the inkpot and pounce box would fit into the outer two sockets, while the middle one would contain a small hand bell, or taperstick for sealing. (more…)